Touch page image
The original Sonic Archives logo
- my first coaster in 1999!

Music For Public Consumption.

1980 – 2022

Like a lot of people who have played in bands, I always thought it was a good idea to do everything myself. By “everything”, I mean not just writing your own music, but recording it and distributing it, by whatever means necessary.

Nowadays, there are a number of convenient labels for this kind of ethic, from “D.I.Y.”, “indie”, “alternative”, etc. While I don’t think those terms really describe much in the present day, at one time they represented a true alternative to the traditional ways in which bands made music and presented it to the general public.

This independent entrepreneurial spirit was as motivated by an abundance of passion, as much as it was by a lack of capital. There was always a certain amount of pride in being able to exercise complete control over how you presented your art to the world at large. More often than not, limited funds simply forced bands to become more creative, and more resourceful, in terms of how their music would be packaged and marketed.

Back before the days of burning your own CDs, MySpace, or streaming platforms, I certainly learned about the economics of recording and distribution, when working with Borrowed Time – recording, mixing and producing cassette albums for our home-based Forth World Ltd. label. As with many bands, we found the costs of record pressing plants prohibitive, considering the limited number of albums we wanted to release, so we resorted to cassette albums. Interestingly enough, this medium has found itself back in vogue, in the beginning of the 21st century.

Once the technology became available to record and produce CD media on a home computer, I felt like I had found my niche. This was the piece of the industrial revolution I had been waiting for, and I honestly don’t think the music industry can ever be the same again. There will probably always be corporate record labels, and artists who are seeking that level of success might not see the use for this small-scale independent style of production and distribution. Think about it this way: maybe you only want a limited number of discs to sell at shows, or to give away for promotional purposes. You really don’t need an expensive studio recording, and you also don’t need to pay for more copies than you actually need.

As much as I enjoy playing music, I particularly enjoy recording music – especially in a live setting. I also like tweaking it on my system at home, and discovering how I might be able to bring out more of the dynamics that are already there, rather than add in a lot of superfluous production. I believe the process should be simple and painless; most importantly, the result should be an accurate representation of what the music actually sounds like. Most people would be surprised how little is actually required to make that happen.

These are some of the recordings I’ve recorded, mastered and released since the turn of the millennium, using minimal equipment and a shoestring budget. These days, you can even print your own sleeves and labels, and eliminate jewel cases altogether. And yes, you can do it all by yourself – but when you’d rather just concentrate on the music, it just might come in handy to have someone else twiddling the dials.

Oeuvre

Here is a list of all currently known officially released audio artifacts I had a hand in either recording, mixing, producing, mastering, or creating physical lathe-cut records; as well as a selection of various one-off projects I worked on, or contributed to.

Borrowed Time
In A New Land
Recorded in 1985
Hand-Embossed 4×10″ Mono Lathecut Disc set
Lathe record release limited to 20 [?] copies.

disc one / side A:
Stick My Neck Out

Saviour
disc one / side B:
Wrath Of The Quails

Slang For Father
disc two / side C:
Dark Ages

Process
disc two / side D:
blank / silkscreened art
disc three / side E:
Practicality

disc three / side F:
Still Life Through Glass

disc four / side G:
Missionaries

disc four / side H:
Ascension

• Co-written (lyrics / arrangements)
• Performed (vocals / keys / bass)
• Co-Mixed
• Co-Produced
• Mastered for vinyl transfer in 2024
• Hand-embossed in 2024 on a Presto 6N with a ruby embossing cone stylus

More info:

https://sonicarchives.com/smell/borrowed-time/

Spooks
Longhorn 1978
Limited Edition
single-sided lathe-cut 7″ EP
45 rpm

1. Peter Jesperson intro (0:04)
2. Twilight Zone Theme (1:27)
3. 1980 – 1990 (3:06)
4. Fun Is Everything (excerpt) (2:21)

Recorded live in 1978 at The Longhorn Bar; Minneapolis, MN
Soundboard recording by Peter Jesperson.

• 24/48 Analog > Digital transfer
• Mastered for vinyl transfer in 2023
• Hand-embossed in 2023 on a Presto 6N with a ruby embossing cone stylus.

More info:

Spooks

Arvo Zylo
Snake Paper
12″ one-sided lathe-cut release
Limited Edition
Release Date uncertain

• Collaborative / Assisted project with
Fortune Avenue Studios
• Mastered for vinyl transfer at 33 1/3rpm
• Hand-Embossed to Lathe-cut Disc

Vode
Total Apocalypse
2 x 8″ one-sided lathe-cut release
Limited Edition of 50
Release Date uncertain

• Collaborative / Assisted project with
Fortune Avenue Studios
• Mastered for vinyl transfer at 33 1/3rpm
• Hand-Embossed to Lathe-cut Disc

Adam Kiesling
Down The River I Go
Limited Edition 10″ double-sided lathe-cut release
33 1/3 rpm
2023

side A:
1. Down The River I Go (4:33)
2. Wild Bill Jones (3:10)
3. Don’t Want Me Baby (3:23)
side B:
4. Betsy Likens (1:40)
5. Old Man Will Your Dog Catch A Rabbit? (4:06)
6. Walking In The Parlor (1:02)
7. Goodbye Booze (3:10)

• Collaborative / Assisted project with
Fortune Avenue Studios
• Hand-Embossed to Lathe-cut Disc

More info:

bandcamp

photo: © Mike Newell 2023

Überscenester
This Is A Fruit b/w Stay Golden
Limited Edition
double-sided
Mono
45 rpm
Hand-Embossed Lathe-cut Record

side A:
This Is A Fruit (2:46)
side B:
Stay Golden (2:17)

Originally recorded in 2001.
Produced by Rich Mattson.

• Mastered for vinyl transfer
• Hand-Embossed Mono Lathe-cut Record

photo: © Mike Newell 2023

Überscenester
Entry Misunderstood Not Understood b/w Six Years Down
Limited Edition
double-sided
Mono
45 rpm
Hand-Embossed Lathe-cut Record

side A:
Entry Misunderstood Not Understood (2:44)
side B:
Six Years Down (2:32)

Originally recorded in 2001.
Produced by James “Billy” Dankert.

• Mastered for vinyl transfer
• Hand-Embossed Mono Lathe-cut Record

photo: © Mike Newell 2023

Überscenester
Pretty Cavalier b/w Weird Beard Returns
Limited Edition
double-sided
Mono
45 rpm
Hand-Embossed Lathe-cut Record

side A:
Pretty Cavalier (2:51)
side B:
Weird Beard Returns (2:10)

Originally recorded in 2001.
Produced by Mike Wisti.

• Mastered for vinyl transfer
• Hand-Embossed Mono Lathe-cut Record

photo: © Mike Newell 2023

Überscenester
Pretty Cavalier b/w Just Because You Can
Limited Edition
double-sided
Mono
45 rpm
Hand-Embossed Lathe-cut Record

side A:
Pretty Cavalier (2:51)
side B:
Just Because You Can

• Mastered for vinyl transfer
• Hand-Embossed Mono Lathe-cut Record

Originally recorded in 2001.
Mastered and Produced by Mike Wisti.

Mastered / Hand-Embossed Mono Lathecut Disc

One track:
This cigarette won’t smoke itself

“Shared stereo” collaboration recorded in 2008.
Hand-embossed in 2022 on a Presto K8 with a ruby embossing cone stylus.
Lathe record release limited to 10 copies.

More info:

https://7think7tank7ltd.bandcamp.com/album/this-cigarette-wont-smoke-itself

Mastered / Hand-Embossed Mono Lathecut Disc

Two tracks:
None For All
Whiskey Girl

Originally released in 2012 as a CD and tape release.
Hand-embossed on a Presto 6N with a ruby embossing cone stylus.
Lathe record release limited to 10 copies.

More info:

https://7think7tank7ltd.bandcamp.com/album/noised-in-oakland-ca

Neoprene 10″ 45rpm lathecut

Neoprene
Maximalism Now
2021
Limited Edition of 50 copies
Hand-Embossed 10″ lathe-cut record
Single-Sided
45 rpm

1. Get In Line
2. Dogs
3. Sylvia
4. Stoned
5. Boy
Locked Groove bonus track:
6. Club Mix [live]

An aesthetic of excess? If more is more, this should leave you wanting… more.

• Half-Speed Mastered
• Mastered for vinyl transfer at 33 1/3 rpm > embossed at 45rpm (microgroove)
• Hand-Embossed to Lathecut Disc

Recorded / Mixed / Mastered / Hand-Cut to Stereo Lathecut Disc.

Multitrack recorded and mastered in 1984 • stereo diamond cut in 2021 on a Presto 8DG from the estate of Peter Bartok.
Limited Edition of One.

Digitized plunder-phonic mash-up from vintage vinyl LP / Mixed / Mastered / Hand-embossed to Mono Lathecut Discs.

Limited run of three Single-sided 5″ discs and twenty Single-sided 7″ Lathecut discs.

Yo La Tengo “Drug Test” 7″ lathecut

Yo La Tengo
Drug Test
Limited Edition
single-sided 7″
Mono
33 1/3 rpm

1. Drug Test [live]

Recorded live to cassette in 1993 at 7th St. Entry; Minneapolis, MN
Prototype for proposed release.

• Recording
• Mastered from cassette for vinyl transfer
• Additional Editing
• Hand-embossed on a Presto K-8 with backward sapphire stylus [!]

Somebody’s Got An Axe To Grind
Eyesight
Limited Edition of 20
Single-Sided
Mono
7″
33 1/3 rpm

1. Eyesight [The Suburbs]

Original version. written and recorded in 1980 by The Suburbs
Re-worked for this release with special permission from Chan Poling.

• Multi-track Recording
• Mixed / Produced
• Mastered for vinyl transfer

Hand-Embossed on a Presto K-8 with backward sapphire stylus [!].

J.Free
A Fifty Dollar Piano With Real Ivory Keys
2016
Limited Edition of 20
Hand-Embossed Lathe-cut Record
Mono
33 1/3
7″

• Performed
• Recorded
• Mixed / Produced
• Mastered for vinyl transfer
• Hand-Embossed on a Presto 6N with tungsten stylus.

Azimuth-optimized Analog > Digital transfer from original stereo cassette tape recorded circa 1980.
Mastered in 2016 to optimize stereo image.

More info:
https://plumflowerembroidery.bandcamp.com/music

Somebody's Got An Axe To Grind; live at Tonic Lounge, Portland

Somebody’s Got An Axe To Grind; live at Tonic Lounge, Portland

Somebody’s Got An Axe To Grind
From Slabtown With Love
CD EP
2013

1. All My Friends (7:09)

Recorded live at Tonic Lounge in Portland, Oregon, Sunday May 19, 2013.
Live mix captured direct to 2-channel stereo; in 24-bit/48kHz.

All vocals, guitars, keyboards, loops, words and arrangements by J. Free.

• Live performance [vocals, guitars, keyboards, loops, lyrics, arrangements]
• Live Mix / Recording
• Mixed / Mastering

More info:
Slabtown

Gemet Gemet
Resonant Series 3 : (Two) Conversations : Reversed Continuities
2013
CD

1. part one: Cinders / Ruins In A Day (5:15)
2. part two: Rivulets / In A Roundabout Way (6:00)

Improvisational extracts from a 2013 session; edited and mixed in October 2015.
Performed by Gene Gemet and Jean Gemet.

• Co-Performed
• Recorded / Edited
• Mixed / Mastered

Live Video / Canon G12

Recorded Live in the basement Foyer of East End [RIP] • Portland OR

9/11/13 Gay Ghost plays their last show.

Part 1 of 2

Part 2 of 2

Live Video / Canon G12
Recorded Live at Tonic Lounge • Portland OR 13 March 2013

Part 1 of 3 / Songs 1 – 5
1. Ghost Ship
2. 30 Milligrams
3. Paperdolls
4. Shea
5. Meat Frenzy

Part 2 of 3 / Songs 6-8
6. Foreclosure
7. Bully
8. Machines That Make Men Miserable

Part 3 of 3 / Songs 9-10
9. Supercollider
10. Rose Colored Rose

Gemet Gemet
my heart is a beast
limited edition
single-sided cassette
2013
Sonic Archives

1. my heart is a beast (16:17)

 

Live improvisation, performed at Milepost 5 in Portland Oregon.
Friday, October 4th, 2013, in conjunction with the exhibit of the same name.

 

G: drum machine; trumpet; keyboards; echoplex guitar; violin; vocal narrative; post-mix
J. : tambourine; rain stick; gourd rattles; Dandiya sticks; bamboo rattle; bongos; pig; trombone; e-bow guitar; dragon chimes; live mix

• Live Mix / Recording
• Co-Mastering
• Analog cassette transfers
• Artwork

Somebody's Got An Axe To Grind Live at Tonic EP [600px]

[design/layout: © Faye Ackeret; 2013]

Somebody’s Got An Axe To Grind
Live at Tonic
CD EP
2013

1. Eh, Wot? (7:29)
2. Modern Art (4:31)
3. Buildings (4:16)

Lo-fi the way it was meant to be. A live rig with an on-board multi-track digital recorder, so what you hear on the CD is what heard if you were at the show that night.

Recorded live at Tonic Lounge in Portland, Oregon, Sunday May 19, 2013.
Live mix captured direct to 2-channel stereo; in 24-bit/48kHz.

All vocals, guitars, keyboards, loops, words and arrangements by J. Free.

• Live performance [vocals, guitars, keyboards, loops, lyrics, arrangements]
• Live Mix / Recording
• Mixed / Mastering

More info:
Live At Tonic

Recorded / Mixed / Mastered

Live in-studio session; one of two drastically different mixes, both of which are intended to be played back simultaneously.

More info:
https://gemetgemet.bandcamp.com/album/resonant-series-no-2-duo-tones-gene-gemet

Recorded / Mixed / Mastered

Live in-studio session; one of two drastically different mixes, both of which are intended to be played back simultaneously.

More info:
https://gemetgemet.bandcamp.com/album/resonant-series-1-duo-tones-jean-gemet

Gemet Gemet Rats CD EP

Gemet Gemet Rats CD EP

Gemet Gemet
the Rats E​.​P.
2012
CD

1. Rats [take 1] (5:25)
2. Space Is The Place [Trans-Europe Express Mix] (9:27)

Rats : © Syd Barrett; 1970
Space Is The Place : © Sun Ra and his Arkestra; 1973

Performed by:
Gene Gemet
: keyboards, guitars, trumpet, violin, vocals
Jean Gemet : guitars, bass, loops, percussion, live mix

“Rats” is the long-overdue follow-up to the “Butterfly” EP, both of which feature Gemet Gemet performing their own unique interpretations of songs by other bands which have influenced or inspired many gnomes along the way.

Single-takes only. Home recording never had it so good.
“Practice” sessions captured live on a digital recorder, as though their lives depended on it.
Two tracks recorded live in The Living Room; Portland OR; 2012-2013
An added vocal, some minor digital shuffling; no other enhancements or production techniques applied.

• Live in-house recording
• Mixed / Mastered by J.Free

More info:
the Rats EP

Gemet Gemet
the Butterfly E​.​P.
2012
CD

1. Butterfly [post-meltdown mix] (10:49)
2. Set The Controls For The Heart Of The Sun [intergalactic freakout version] (9:21)

Butterfly : © CAN; 1968
Set The Controls For The Heart Of The Sun : © Pink Floyd; 1968

Performed by:
Gene Gemet : keyboards, guitars, trumpet, violin, vocals
Jean Gemet : guitars, bass, loops, percussion, live mix

Two gnomes in a time warp with a multi-channel digital recorder; something was bound to happen.
Everything recorded live in The Living Room; Portland OR; 2012-2013
A live vocal track thrown in for good measure; no other enhancements or production techniques applied.

• Live in-house recording
• Mixed / Mastered by J.Free

More info:
the Butterfly EP

Live iPhone Video Recording / Edited / Mastered by J.Free in 2012.

Jeez, was it really ten years ago? It was pretty impromptu – I was helping out as a volunteer for the Hopworks event, but I had heard them play part of the song during soundcheck, so when they announced it during their set, I took a break and ran over to capture it on my iPhone. Apparently Casey liked it enough to put on youtube, even though I listed the wrong drummer in the credits – I’ll have to fix that!!

Recorded Live at:

Hopworks Urban Brewery
BikeToBeer Festival
Portland, OR
Aug 11, 2012

Cover of the Husker Du song from Warehouse Songs and Stories, written by Grant Hart.

Jesse Emerson – bass/vocals, Joe Mengis – drums, Chet Lyster – guitar/vocals, Casey Neill – guitar/vocal, Jenny Conlee Drizos – accordion

Check it out:
https://www.youtube.com/watch?v=yGLuZq8Hj9E

Grant Hart : Oeuvrevue LP

Oeuvrevue LP © Grant Hart 2010

Grant Hart
Oeuvrevue
Hazelwood Records
compilation CD
2010

Nova Mob: Persuaded

Recorded live at Seventh Street Entry
Mpls, MN
4 September 1993

Limited edition collection of previously-released rarities; only 1000 copies were pressed for distribution during Grant Hart’s 2010 fall European tour.

Deja vu! My lone contribution to this release is a fiery version of Nova Mob’s “Persuaded”, which Grant particularly liked, and had also been submitted previously for the 1996 “Shuffle This” compilation [listed below]. As no mention was made of a recording credit or date on the first release of this track, it remains unidentified here as well, which is something Grant acknowledges in his liner notes. As mentioned elsewhere, it was easy enough to find the original tape of the show in my archives, and identify it by a few distinctive nuances. Again, if I had known this track was being re-issued, I would have adjusted the Azimuth of the playback head, and worked with my archived 24-bit transfer, which would benefit the sound quality immensely, but there you go. The PZMs do favor the low-end frequencies, which sometimes can overwhelm the highs and mids in a live mix. A minor concern, I suppose – as the performance stands on its’ own merits. Long live Nova Mob!

More info:
https://www.discogs.com/release/2593755-Grant-Hart-Oeuvrevue

• Live Audio Recording
• On-The-Fly Mix!
[Recorded with two (or three) Tandy PZMs, straight to 2-track stereo]

Tender Meat Live at The Ritz cassette album

illustration: © 2011; Suzanne Pfutzenreuter

Tender Meat
Live At The Ritz (The Ritz On The Fritz)
Moon Glyph cassette
2010

Recorded live at The Ritz Theatre
Mpls, MN
May 2010
part of Heliotrope Festival No. 7

In May 2010, I found myself in my old hometown, and for three days, recorded twenty-eight bands in performance at The Ritz Theatre, as part of the 7th annual Heliotrope Festival. Out of the thirty-plus hours of recorded music which was accumulated, this intriguing little artifact came into existence.
Recorded with a pair of on-stage AT-2020 mics, combined with a 2-channel stereo soundboard feed; post-mix by Neil Zumwalde.

More info:
https://www.discogs.com/release/3978932-Tender-Meat-Live-At-The-Ritz-The-Ritz-On-The-Fritz

• Live 4-Channel Audio Recording

Live Audio Recording / Mixed / Mastered / synched to performance videos

Un Chien Andalou

Earth – Intro

Regen
Nanook of the North

Recorded Live at:
Whitsell Auditorium, Portland Art Museum • Portland, OR 29 January 2010

Andrew Oliver Kora Band Live at Jimmy Maks

Live at Jimmy Maks © Andrew Oliver

Andrew Oliver & The Kora Band
Live at Jimmy Maks 10-9-09
Not On Label
bandcamp 9x digital file
2009

Recorded live in Portland, OR
9 October 2009

This turned out to be a pleasant surprise. Andrew and I had previously discussed the difficulty in achieving an appropriate balance of instruments when recording this group in a live situation.

I had originally hoped to use my custom 4-channel set-up for this performance, but the unit was out for repair. After several possible mic configurations during soundcheck, I decided just to opt for the simplest set-up, with a basic stereo pair of mics I was testing for Chris Church. I knew it would sound alright, but I wasn’t expecting as much dynamic range as we ended up with on the resultant recording. Apparently Andrew liked the results as well, and has since made it available through the Bandcamp site, for everyone to enjoy!

Recorded with a set of Church-Audio CA-14 pro-binaural cardioid mics; running through a Church-Audio AT-20 pre-amp, direct to a M-Audio Microtrack (16-bit/48kHz).

Selected tracks from this performance are available for download from The Kora Band’s Bandcamp site:
https://andrewoliverkoraband.bandcamp.com/album/live-at-jimmy-maks

To find out more about the Kora Band, visit his official site:
https://koraband.com/

• Live Audio Recording

What's Up? cassette album

illustration: © 2009; E*Rock

What’s Up?
Live
UHU Tapes
limited edition cassette album
2009

Recorded live at Holocene
Portland, OR
4 June 2009

PDX POP NOW! is something of a local celebration of Portland music; an annual series of events to commemorate each new release on the label of the same name. This recording came from the CD release party for the sixth 2-CD compilation since the project began in 2004. Originally, I had made arrangements to record two of the bands that night, but ended up documenting the entire evening. Several video clips were made as well – some of which can be found online, if you look in the right places.

What’s Up? played their set right in the middle of the dance floor, and mesmerized the crowd with an upbeat assault of instrumental math rock, or something like that. I recorded the set for posterity, and was surprised to walk into a record store and see it on the shelf, just a little over a month after the fact. Pretty limited edition, for all you collectors out there.

Recorded with a set of Church-Audio pro-binaural cardioid mics; running through a Church-Audio AT-20 pre-amp, direct to a M-Audio Microtrack (16-bit/44.1kHz). No frills, all thrills.

More info:
https://www.discogs.com/release/6726438-Whats-Up-Live

• Live Audio Recording

Lifter Puller [aka LFTR PLLR]
The Entertainment And Arts (Deluxe Reissue)
The Orchard
digital album with bonus tracks
2009

Bonus Tracks / Recorded live at Seventh Street Entry
Mpls, MN
6 June 1998

Plymouth Rock
Candy Machine
Sangre De Stephanie
Lets Get Incredible

Before The Hold Steady became something of a regular fixture on the club circuit, there was a little Mid-Western band called Lifter Puller. For six years, that group carved out a unique niche of urban lowlife narratives and blazing rock nuance, before calling it a day in 2000. In December 2008, former LFTR PLLR guitarist Steve Barone sent me an e-mail explaining that the band planned to reissue their out-of-print back catalogue, and they wanted include a slew of “bonus” tracks – including a few songs from live recordings I had made of the band during their heyday in the previous decade.

Although the group originally reissued their albums as physical CDs – compiled for the 2002 Soft Rock release, those versions included a number of studio bonus tracks, and not the live recordings. The 2009 re-reissues were apparently only made available as digital downloads, through places like iTunes; emusic; Amazon, etc. That means that my archived 24/96 definition Azimuth-optimized .flac versions have yet to be heard by anyone, including the band members themselves. Chalk it up to one more recording / contribution credit I won’t be seeing anywhere except on my original hand-scribbled cassettes …c’est la vie, I guess. Ah, the crazy world of rock’n’roll …

More info:
https://www.discogs.com/release/15963502-Lifter-Puller-The-Entertainment-And-Arts-Deluxe-Reissue

• Live Audio Recording
• On-The-Fly Mix!
[Recorded with two Tandy PZMs and mixed live straight to 2-track stereo]

Lifter Puller [aka LFTR PLLR]
Half Dead and Dynamite (Deluxe Reissue)
The Orchard
digital album with bonus tracks
2009

Bonus Tracks / Recorded live at Seventh Street Entry
Mpls, MN
6 June 1998

To Live And Die In LBI
Nassau Coliseum
The Bears
Sherman City

More info:
https://www.discogs.com/release/15963487-Lifter-Puller-Half-Dead-And-Dynamite-Deluxe-Reissue

• Live Audio Recording
• On-The-Fly Mix!
[Recorded with two Tandy PZMs and mixed live straight to 2-track stereo]

Live Audio and Video Recording / Edited / Mastered / Video + Audio Synchronization

“Music on Main Street” Outdoor Series

Recorded Live at:
Portland Center for the Performing Arts
Portland, OR 26 August 2009

Live Audio and Video Recording / Edited / Mastered / Video + Audio Synchronization

The Knife

Stockholm

Drone & Brush

Recorded Live at HOMEland Gallery • Portland, OR 26 June 2009

PDX Pop Now! 2009 art © Dylan McConnell

The Taxpayers
What’s Up?
Jared Mees and the Grown Children
Copy

PDX Pop Now! 2009 CD Release Party
Holocene
Portland, OR
4 June 2009

• Live Audio + Video Recordings
• Audio + Video Editing
• Audio Mastering
• Video + Audio Synchronization

Mecca Normal
I Walk Alone
Holocene
Portland, OR
9 April 2009

• Live Audio + Video Recordings
• Audio + Video Editing
• Audio Mastering
• Video + Audio Synchronization

Blue Cranes / Paxselin Quartet
Chamber Of Commerce

In conjunction with the 2009 Portland Jazz Festival
Portland Center for the Performing Arts
Portland, OR
20 February 2009

• Live Audio + Video Recordings
• Audio + Video Editing
• Audio Mastering
• Video + Audio Synchronization

Recorded / Mixed / Mastered / Video – Audio Synchronization

Twenty-five years in the making; an unholy marriage of old-school analog video and audio in the modern digital realm.

Originally filmed and recorded on February 10, 1985 at The Whole in Minneapolis, this represents the last will and testament of Borrowed Time. Mixed, mastered, and semi-produced at the close of 2008, this became my first venture into the world of moving pictures. I don’t think it turned out half-bad, if I do say so myself.

Now you can witness this intimate performance, as it was originally seen through the video lens of renowned Mpls photographer Sean Smuda. Using every scrap of footage that was available, this video artifact was transferred from VHS, painstakingly synchronized with three different audio sources, and edited with additional photographs and audio tracks, all with Apple software on a Mac G5.

Live alphorn and accordion recordings for custom Oktoberfest ringtones / Edited / Mixed / Mastered / Web Design

Marvin McCoy and Steve Ecklund
The Matterhorn Trio
Nancy Lindgren
Hank Thunander
Dreamland Faces

http://blackforestinnmpls.com/pgs/shop.php

All audio Recorded Live at The Black Forest Inn in Minneapolis, MN during Oktoberfest 2008

Recorded Live at Holocene • Portland, OR 29 June 2008 • Recorded / Edited by J.Free • Mastered for video by Ryan Bukstein

Dying to Work

Pigeon Feeder

First Monday

Recorded Live at Battle Ground, WA 4 May 2008 • Recorded / Edited by J.Free • Synched to video by Jean Smith

The Discussion

This Comforting Thing

Live Mix / Recording by J.Free • Synched to video by Jean Smith.

Malachi

Recorded Live at Eagles Hall Ballroom • Olympia, WA 3 May 2008

John Wall : A Legacy Concert At 60 CD album

design / layout: © J.Free; 2007

John Wall
A Legacy Concert At 60
Not On Label
full-length CDR album
2007

This was a fun project that came about through my involvement with punk rock bands, but stylistically took place on the other end of the musical spectrum – in a church, rather than a bar.

Organist / composer John Wall was approaching his 60th birthday, and planned a concert in which he could perform a retrospective overview of his work over the past thirty years. The mother of a guitarist I had done some work for wanted to record the event as a 60th birthday gift, and to serve as a legacy for his children.

Recorded direct to an Apple G4 laptop, with a set of Church-Audio pro-binaural mics; running through a Church-Audio AT-20 pre-amp, with a minidisc recorder as a pass-through / back-up unit. Mixed, mastered and digitally transferred, and labels printed on a PC.

• Live Audio Recording
• Audio Mixing & Mastering
• Design / Layout / Assembly

Recorded / Mastered / harmonica recording synched to live recording

When The Levee Breaks

Papa Mali Recorded Live at
9th Big Wu Family Reunion
Harmony Park • Clark’s Grove, MN 28 May 2006

Harmonica track recorded in my former South Minneapolis home.

Recorded / Edited / Mixed / Mastered

Klezmer Medley

Recorded Live in Minneapolis, MN 2006 and synched to a photo slideshow from the performance

Plate-O-Shrimp / The Unstuck split-7" single

split-7″ single © 2004

Plate-O-Shrimp / The Unstuck
UNITE! / UNTIE!
7″ split-single
Not On Label
2004

Plate-O-Shrimp : Fuck You

Another classic burst of attitude from one of my favorite bands – to see, as well as to record – in the Twin Cities.

Recorded live at a TCPunk party in the 7th St. Entry, this track wound up being the band’s pick for a 4-song split-single with local compatriots The Unstuck. Their other contribution was as skillfully produced in the studio (by ace engineer Tom Herbers), as this track was skillfully “un-produced”. How to capture the energy of a live performance? Easy – you don’t mess with it.

This was the second time in a decade that one of my recordings ended up on a vinyl release – no less another split-single, and this time on flaming red vinyl!

More info:
https://www.discogs.com/release/6481567-Plate-O-Shrimp-The-Unstuck-Unite-Untie

• Live Audio Recording
• On-The-Fly Mix!
[Recorded with two Tandy PZMs and mixed live straight to 2-track stereo]

Demolition Factor CD art

illustration © Jesse Boldt 2004

Demolition Factor
“Demo. Fact.”
8-song CDR E.P.
Not On Label
2004

Another lo-fi gem; recorded “live in the bedroom”, in two caffeine-fueled, hot summer afternoon sessions. Single takes, no overdubs. Econo-jams from the less-is-more school of rock.

Call me biased – after all, I was one-half of this power duo – but I think we nailed the guitar sound here with our practice amps better than our live Marshall / Mesa Boogie attack. There’s a lot to be said for clarity. You want loud? Turn it up. It won’t break.

Recorded direct to minidisc, with nothing more than two PZMs in front of two 25-watt practice amps, a drum machine, and a couple of low-end vocal mics; running through a 8-channel Mackie console. Mixed, mastered and digitally transferred, and labels printed on a PC.

More info:
https://sonicarchives.com/smell/demolition-factor/

• Live Audio Recording
• Audio Mixing & Mastering
• Co-Design / Layout / Assembly

Murderapolis Learning To Be Arrogant CD

CD © Rick Fuller 2003

Murderapolis
Learning To Be Arrogant
Sursumcorda
CD album
2003

Janet The Pig and Mr. Whitefolks
Recorded live at 7th St. Entry
Mpls, MN
Friday 27 October 2000 [*or* Saturday 15 July 2000]

Rick Fuller + Co. in a post-Venison sort of joint. If it were Manchester instead of Minneapolis, this lot would have been our version of The Fall.

• Live Audio Recording
• On-The-Fly Mix!
[Recorded with two Tandy PZMs and mixed live straight to 2-track stereo]

Recorded live at The Turf Club; St. Paul, MN; 12 June 2003

Weed And Whiskey

This band was a favorite of mine for a couple years, before they cashed in their chips and scattered themselves across the globe. Someone once described them as a weird hybrid of George Thorogood and Metallica, and while that might be a bit far-reaching, the general cross-reference is true enough. This one is particularly special to me, because I actually play on most of the tracks, in addition to the live track I recorded.

I bumped into these guys at a Plate-O-Shrimp show I was taping, and they asked what I would charge to record them as well. My stock answer at that time was “beer”, so it was pretty much a done deal. When Rich came to pick up the disc at my house, I learned that the band had just lost their harmonica player, and somehow without thinking, I talked myself into filling that spot for the next year or so. Playing with The Pushrods led me into two other bands that I juggled for the next few years: Panel Of Experts, and The Summer People. I miss ’em all, but nothing good lasts forever.
The live track here was recorded with two Tandy PZMs, straight to 2-track stereo. No artificial sweeteners added. Just good old-fashioned raunch’n’roll.

Recorded live at First Avenue; Mpls MN; 18 November 2003

Queen Of Cans And Jars

During the thirty-odd years I was associated with First Avenue / Seventh Street Entry, I recorded hundreds of bands and live performances. When the club was approaching its’ 25th anniversary, I had suggested to the club’s management that we should put together a compilation album as a fundraiser.

Ironically, that idea actually came to fruition ten years later, under the auspices of the Diverse Emerging Music Organization (DEMO). Originally operating as the Developing Arts and Music Foundation (DAMF), DEMO was a nonprofit organization which had been created to support and promote a diverse range of music in the Twin Cities.

This compilation included a wide range of local and national artists who had performed at the venue over the years, and was also the second album in the same year that boasted one of my recorded tracks from Guided By Voices – I must have been doing something right! This one was selected from a cassette I had given to the band’s manager, Rich Turiel, at Grand Old Days in St. Paul a couple of years earlier. I do wish the folks who curate these kinds of releases would be a little more conscientious about remembering to credit the people involved, but hey – I’ve still got the master tapes, and anyone who worked at the venue back then knows who did the recording.

Stereo soundboard feeds, combined with two stereo-panned PZMs mounted on a stand, mixed live through a 4-channel mixing console, simultaneously to 2-track stereo cassette and CD-R writer.

More info:
https://www.discogs.com/release/4230331-Various-The-Bootlegs-Vol-1-Celebrating-35-Years-At-First-Avenue

Recorded live at First Avenue; Mpls, MN; 22 February 1996

King And Caroline and Motor Away

This was almost too ridiculously good to be true. I happened to work at this venue, and had taken the night off just so I could go down and record my favorite band with no distractions. What do you suppose happened? The regular stage production manager had taken the night off, and the person filling in for him asked me if I wanted to work that night. Naturally, I said no way – until he told me that what he needed was a security person at the soundboard. That sounded good to me – getting paid to watch the soundboard, while recording my favorite band. Then, as the evening progressed, the regular sound-person asked me if I wanted to run the board for awhile, since he wasn’t feeling too well, and I knew the band’s material. What could have been better than that? I’ll tell you – finding out that the band decided to include a couple of tracks from my recording on this monumental box set!!

Stereo soundboard feeds, combined with two stereo-panned PZMs mounted on a stand, mixed on-the-fly through a 4-channel mixing console, straight to 2-track stereo cassette. Live as it happened, with no post-production and no additives. Pure pop-rock, the way it was meant to be heard.

More info:
https://www.discogs.com/release/1197885-Guided-By-Voices-Hardcore-UFOs-Revelations-Epiphanies-And-Fast-Food-In-The-Western-Hemisphere

These tracks were selected from the cassettes I sent to the band’s label rep at the time, Joe Goldberg. Unfortunately, I didn’t know there were plans to include the tracks for official release, or I might have synched the board feed with the room mix (and maybe even gotten a credit for the recording, so I wouldn’t have upset the trolls on the discogs site) but at least I still have the master tapes!

For The Love Of Moldy CD cover

photo / design / layout:
© Megan J. Heinzen; 2002

Various Artists
For The Love Of Moldy
2003 • One Ugly Puppy Productions
full-length CDR live compilation album

Recorded live at 7th St Entry • Mpls MN
Tuesday 11 February 2003
Sunday 16 March 2003

A labour of love, compiled from two benefit concerts for Steve Moldenhauer – aka Moldy Ramone; featuring the creme de la creme of the Minneapolis TCPunk music community.

Two nights in the 7th St. Entry, eleven bands, 23 songs in all; recorded in glorious old-school 4-track – two PZMs mounted in the room, mixed with two soundboard channels. Many of these tracks were mixed with assistance from the artists themselves; edited, mastered and transferred to disc with home PC technology.

This double-album-length disc features unreleased live tracks by Arcwelder, Baby Grant Johnson, The Clams, Coffin Cheaters, Kontrol Panel, The Mighty Mofos, Plate-O-Shrimp, Red Vendetta, The Squabs, Trailer Park Queen, and Vaseline Alley – MC’ed by the one and only Ollie Stench, and featuring the man of the hour himself, Moldy Ramone, singing with a few of his favorite bands.

• Live 4-track Recording / Mixed / Mastered by J.Free
• Art Direction / Design / Layout: J.Free / Megan Heinzen

All proceeds from the sale of this CD donated to charity via The Moldy Ramone Memorial Trust Fund.

Live recordings • Recorded / Edited / Mastered for CD by J.Free in 2002.

TCPunk rock stalwart Moldy Ramone takes the mic with pub rockers Plate-O-Shrimp, for a handful of punk/garage rock classics including Attitude, Blitzkrieg Bop, Chinese Rocks, I Don’t Care, I Wanna Be Sedated, and Sonic Reducer (natch).

Compiled from two shows: Feb 17 & Oct 19, 2002, at the 7th St. Entry in Minneapolis. This disc marked the first release on the limited edition One Ugly Puppy Productions label. All proceeds from the sale of this disc were to aid Moldy in his fight with cancer, and his wife Tanya, in their medical expenses.

Recorded with two PZMs, straight to 2-track stereo. Edited, tracked, mastered and digitally transferred, sleeves printed, all on a home PC.

Recorded live at Seventh Street Entry; Mpls, MN; 2002

The first time I ventured out to The House Of Rock [R.I.P.], in Eau Claire, Wisconsin, this bunch of hooligans happened to be the main act, and I can still remember that night like it was yesterday. They commanded the stage, with a presence both charismatic and ominous, exuding an air of almost giddy intensity.

I was working with The Hundred Flowers at the time, and got the idea to bring them out to Eau Claire to share a bill with these fine lads. They all got on so well that in 2002, we decided to bring ’em back to Minneapolis with us for a show at the Seventh Street Entry. Naturally, I recorded their set for posterity.

As it turned out, they liked the recording enough to make it their first full-length release – albeit, a limited edition promotional CD. To follow that up, they had to have AmRep alumni Tim Mac record and produce their first studio album. Makes a fella proud to be in such good company.

Recorded with two PZMs, straight to 2-track stereo. No frills, no middlemen. nothing added or removed – all the energy goes straight to you!

Give it a listen, or pick up a digital copy here:
https://thenicotinesec.bandcamp.com/album/joey-g-the-handsome-three-live

Recorded / Mixed / Mastered

This impromptu “E.P.” is actually a 38-minute live set from a band that seemed poised to stand glam rock on its’ head and give it a good spin. [Not the Bay Area 100 Flowers of early punk fame, but a little-known group of inspired and talented individuals in Minneapolis, who have since gone on to even bigger projects.]

Recorded at The Fireside Bowl in Chicago, Illinois, on September 15th, 2001, this lo-fi/high-energy set captures all of the hopes, dreams and fears of a post-Y2K generation that suddenly found itself standing in the shadow of a looming apocalypse only days earlier.

The initial run of 100 discs, featured each packaged in a unique hand-painted sleeve (front and back), with the flyer for the show reproduced on the disc’s label.
Recorded using only a pair of PZMs mounted on a 12-ft mic stand, running directly into a stand-alone CD-writer; digitally tracked, edited, mastered and transferred to disc, on a PC.

Recorded live at Seventh Street Entry; Mpls, MN; August 2, 1996

Venison :
Guns
Forward
Grand Tradition Of No One

The post-humous “odds and sods” anthology of the largely overlooked pride and joy of both Eau Claire and Minneapolis.

Recorded with two PZMs, straight to 2-track stereo.

Recorded live at Seventh Street Entry; Mpls, MN; 4 September 1993

Nova Mob : Persuaded

Grant Hart has long been a favorite songwriter / performer of mine as well as an old pal, and I’ve recorded him in a number of incarnations over the years, dating back to his days as a drummer in Husker Du. The release of this particular track was a surprise to me, as I had been living in Tampa Bay when it was released; and a friend told me about it several months after the fact. The Squealer was one of a long line of Twin Cities based ‘zines, inaugurated in 1994, and made possible through the efforts of folks like Paul Bernstein (who also played bass in the band Stereo), and renowned writer Leo Kuelbs, Jr. Before disappearing from the Mpls music scene altogether, The Squealer crew assembled this virtual time capsule of the mid-’90s local music scene, including Suicide Commandos, Magnolias, Soul Asylum, Cows, Run Westy Run, and many others.

My lone contribution to this release is a fiery version of Nova Mob‘s “Persuaded”, which Grant particularly liked, and submitted instead of a studio track. No mention was made of a recording credit (!) or a date, but it was easy enough to find the original tape of the show in my archives, and identify it by a few distinctive nuances. As an afterthought, if I had known this track was being submitted, I might have attempted to tweak the sound quality just a wee bit, as I’ve noticed that the PZMs tend to favor the low-end frequencies, which sometimes can overwhelm the highs and mids in a live mix. A minor concern, I suppose – as the performance stands on its’ own merits. Long live Nova Mob!

Recorded with two (or three) Tandy PZMs, straight to 2-track stereo.

More info:
https://www.discogs.com/release/5715486-Various-The-Squealer-Presents-Shuffle-This

Dumbwaiters 7" split-single

Dumbwaiters 7″ split-single © 1995

The Manic Impression Of Mutiny and Dung Hi!
split-7″ single w/ Meringue

Recorded during the “speed sessions” of 6-95, in Tampa, Florida, at the home of drummer Chris Millstein (who also joined forces with the equally excellent band Home).

This was one of those serendipitous events every taper lives for – one of the very first times I was able to adapt my live-recording techniques to a “studio” situation, resulting in a bona fide release! Actual vinyl, no less – green vinyl, even!

The backing instrumental tracks (drums, bass, guitar) were recorded direct to 4-track, using three or four PZMs, which were literally duct-taped to makeshift isolation panels cut from cardboard boxes. Voices and short-wave radio were added and deftly mixed by the band, and – voila! – one side of a split-single!

More info:
https://screwmusicforever.bandcamp.com/album/dumbwaiters-meringue-split-7-inch?from=embed

Live recording from the Stone Lounge in Tampa FL [RIP] in 1994.

Reworked / folded and manipulated beyond recognition by Howard Stelzer, for release on his Intransitive label [also R.I.P.]

7-10 Split Sampler No 2 compilation cassette

7-10 Split Sampler No 2 © 1994

Various Artists
7-10 Split Recordings Cruddy Lo-Fi Xeroxed Cassette Sampler No. 2
7-10 Split Records 7-10
cassette compilation album
1994

Oaks Of Righteousness : Wanna Suck Marrow

Recorded live at Seventh Street Entry
Mpls, MN
5 June 1994

More info about this release and the label it rode in on can be found on the Davis…Not Elvis blog. [DEFUNCT LINK]

More info:
https://www.discogs.com/release/2968909-Various-7-10-Split-Recordings-Cruddy-Lo-Fi-Xeroxed-Cassette-Sampler-No-2

• Live Audio Recording
• On-The-Fly Mix!
[Recorded with two Tandy PZMs and mixed live straight to 2-track stereo]

Recorded / Mixed / Mastered

667 and Bad Poem
Recorded live at Seventh Street Entry; Mpls, MN; Christmas 1992

An impromptu Christmas show at Seventh Street Entry provided a terrific opportunity to record a live set by underground rockers Drown, which in turn led to them including a couple of live tracks on their DIY cassette demo/album, Fistful Of Flowers.

The cassette also included studio tracks recorded by alt-country rocker Rich Mattson, and the inner sleeve sported a live photo I shot at the same show. Come to think of it, I wound up helping craft the band logo as well, with guitarist/vocalist Paul Edmunds, who was a co-worker of mine at Kinko’s in downtown Mpls.

Another interesting footnote about this band is that their drummer ended up playing with The Hundred Flowers almost ten years later, during the time I was managing and booking shows for that group. Ah, the small and wacky world of rock + roll.

Recorded with two Tandy PZMs, straight to 2-track stereo. Live as can in be, and in your face.

More info:
https://www.discogs.com/release/6726865-Drown-Fistful-Of-Flowers

Recorded / Mixed / Mastered

Necromantic
Recorded live at Uptown Bar + Grill; Mpls, MN; 5 May 1991

First time played live, preserved on the band’s 2nd demo / cassette album. Not bad, although the people behind the soundboard should be credited, and if I try to do it on discogs, the trolls there will get their undies in a bunch, so let’s set the record straight here, 23 years and 9 days after the fact: live sound – Kim Bromm; with some assistance / and live recording – J.Free. You’re welcome, as the kids these days like to say.

Recorded direct from the soundboard, straight to 2-track stereo.

More info:
https://www.discogs.com/release/25473202-Sci-Fi-Western-Dont-Let-This-Happen-To-You-Boot-Leg-1

Solo home recordings • Performed / Recorded / Mixed / Mastered for cassette in 1989.

Solo home recordings • Performed / Recorded / Mixed / Mastered for cassette in 1988.

Solo home recordings • Performed / Recorded / Mixed / Mastered for cassette in 1987.

SS / Free • photo © Sean Smuda

Conversations In The Subatrium
1986 • Forth World Ltd.
cassette album

cassette side A:
Burning Rituals:
1. Embodiment
2. Incisor Mound

3. AZM (When The Pisser’s Broke It Looks Like A Statue)

cassette side B:
4. Cut Monkey Memories
5. Rolling Sun
6. Damp Of Broken Air
7. Tide Hand

4-track home recordings.
Spoken word / musique concrète collaborations.
The brain trust is overdrawn / come on in – no one’s home!
One man clutches the wheel while the other feels around with his toes for the pedal.
Just in time for 1 Apr ’86.

All songs recorded in 1986 on the Borrowed Time 4-track reel unit.
words & music © Sean Smuda & J.Free

All tracks included in this sound recording © 1986; Sean Smuda & J.Free / Forth World Ltd.
This sound recording was Engineered / Recorded / Mixed / Edited / Mastered to cassette by J.Free.

Facades cassette cover photo

Facades cassette cover photo

J.Free
Facades
1985
Limited Edition
cassette album
Forth World Limited

All material:
Written / Performed / Recorded / Mixed / Mastered by J.Free; 1985

Uniforms + Saints cassette cover photo

Uniforms + Saints cassette cover photo

J.Free
Uniforms And Saints
1985
Limited Edition
Cassette Album
Forth World Limited

All material:
Written / Performed / Recorded / Mixed / Mastered by J.Free; 1985

Studio recordings • Recorded / Mixed / Mastered by J.Free + Melne Murphy with guidance from Jeff Labelle.

More info:
https://sonicarchives.com/smell/borrowed-time/#1659393784636-b519af99-75e4

Assorted studio and live recordings • Engineered / Edited by Melne Murphy / Ward Harper / J.Free • mastered for cassette by J.Free.

More info:
https://sonicarchives.com/smell/borrowed-time/#1659393779795-fb527585-6370

Live in-studio recordings / performances • Recorded / Edited / Mastered to cassette in 1983.

In Borrowed Time, Ward, Melne and I really, really, really liked the band Joy Division, although I don’t think any of us connected with the stigma that gave the band such an appeal within the Goth scene. We just heard an amalgamation of great hooks, melody lines, and lyrics, and a natural, unpretentious energy.

Considering our shared disdain for most studio production, we agreed that Martin Hannett’s studio production seemed uncannily intuitive in regards to their sound. However, when we heard a few covert live recordings of Joy Division, it was a completely different experience, revealing a passionate, fiery energy beneath their somber facade. I think this is what inspired us to learn a handful of their songs. We only played this set of material twice in our studio, and recorded the songs on a boom-box for posterity. It was never intended to be an album, but we liked these versions of the songs, and decided to share them as “bonus” tracks on one of our other releases.

More info:
https://sonicarchives.com/smell/borrowed-time/#1659393763657-e8678c81-9bab

Songs That Come True

Borrowed Time
Songs That Come True
1983 • Forth World Ltd.
cassette album

Live recordings / performances

Recorded / Edited / Mastered for cassette in 1983.

More info:
https://sonicarchives.com/smell/borrowed-time/#1659393758210-a1bea0c6-f8e6

Recorded / Mixed / Edited by Melne Murphy • Mastered for cassette in 1983 by Colin Mansfield and J.Free.

More info:
https://sonicarchives.com/smell/borrowed-time/#1659393701637-a7baeb8b-2570

Basement rehearsal recordings • Recorded / Edited / Mastered for cassette in 1983.

More info:
https://sonicarchives.com/smell/dancing-in-the-dark/

Live & rehearsal recordings •  Recorded / Edited / Mastered for cassette in 1982.

More info:
https://sonicarchives.com/smell/the-hytones/

Live & rehearsal recordings •  Recorded / Edited / Mastered for cassette in 1982.

More info:
https://sonicarchives.com/smell/the-hytones/

In-studio rehearsal / demo  recordings • Recorded / Mixed / Mastered for cassette in 1981.

In-studio rehearsal / demo recordings • Recorded / Mixed / Edited / Mastered for cassette in 1980.

More info:
https://sonicarchives.com/smell/the-sacred-version/

This is pretty likely an incomplete list, as it has not always been possible to keep informed when one of my  recordings has been used for an official release.

If you are aware of any missing titles from this list – or even better – you actually have any of the earliest releases – please let me know! I’d love to have a complete archives of all the official releases with my recorded or mastered audio!

…but wait – there’s more!

New projects are happening all the time. In my capacity as a Stage Manager and Audio Engineer for Portland’s NoFest and PDX Pop Now! music and art festivals over the past couple of years, I’ve documented dozens of groups, in the hopes that we’ll be able to release some sort of compilation(s) in the not-too-distant future. In 2011, I also recorded a month-long residency at The Laurelthirst Public House by Michael Hurley and The Croakers, following some discussions about a similar type of live release. Conversely, Michael Hurley recruited me as an engineer to record a couple of other local artists, Alexa Wiley, and Trevor Guiliani, who performed their original compositions in my SE home, for a planned release to help raise awareness about The Monsanto Corporation.

Other odds + sods which may still be floating around in the ether somewhere:

• a 4-track album recorded live at Dusty’s in Minneapolis featuring The Tinkers, from a benefit / memorial performance for Liz Klaers

• a live benefit fundraiser compilation recorded at The Uptown Bar + Grill in Minneapolis, for the victims of Hurricane Katrina; featuring live performances by the Black Thorns, The Bullets, Countach, Red Desert

• backing tracks for a stage production of August Wilson’s play Ma Rainey’s Black Bottom; performed at the Portland Playhouse; in conjunction with jazz prodigy David Ornette Cherry; 2011

• a live concert recording for Portland (OR) doom/metal group Witch Mountain at The Aladdin Theatre; which helped the band secure a label deal with Profound Lore Records; 2013

• a second live concert recording for Witch Mountain at Ash St. Saloon; for a tentative live album; 2013

Somewhere in the middle of all this ruckus, there were other projects which were shelved for various reasons, and perhaps a few more out there that I don’t know about. Part of a live performance I recorded in Tampa by Howard Stelzer [Intransitive label], ended up re-worked on one of his early cassette releases in 1994 – The Audience, released under the moniker Your Mother. Yo La Tengo had talked about using a track from a show of theirs I recorded in Mpls in 1995, but as far as I know, nothing came of that plan. Lou Barlow gave me permission to release a Sebadoh show I recorded in 1991, but at the time, there was a lot I hadn’t worked out yet about how to release and distribute albums on a larger scale than what I had done in the past with my own local releases. In 1992, I had begun drafting my own label series of compilation EPs, which would feature bands as varied as Amanda By Night, The Surahoolies, Exploding Head Trick, Lemon Grass, among others. For one reason or another, those plans were interrupted, and by the time things were back on track, it seemed all of the bands no longer existed. That’s life in the fast lane, I guess.

In addition to all of the officially released or planned projects, a number of artists opted to use some of the recordings I made, simply to promote themselves via the internet. Sites including MySpace, virb, and vimeo, as well as various band sites, have featured tracks I’ve recorded, including Kyle Williams; Retake Productions; Tom Kha and the Rainbow Jive Hammer. I’m afraid it’s almost pointless to post links to many of these, as nothing seems to stay the same for very long in cyberspace. As of 2012, there are still tracks I recorded by Minneapolis groups Delta Lyrae [“Spacewalk” and “Fall”], and Timbuktu on MySpace.

The Live Music Archive is a site which retains a more permanent presence, and some of my recordings can be found there as well – including Low, Ween, Built To Spill, Albino, Little Feat, Mike Watt, and more are being added as time allows:

Sonic Archives / LMA uploads

I’ve also got at least one on the e-tree site:

Matisyahu with Wookiefoot 2004 October 31 Mpls MN Cabooze