Gemet Gemet Rats CD EP
Gemet Gemet Rats CD EP

Gemet Gemet

Portland, OR
2013

Gene Gemet (“j ee n JEEH-mih t”): echoplex guitar; astral blues overdrive guitar; keyboards; drum machine; trumpet; violin; sonic blender
Jean Gemet (“sz OH n zheh-MAY”): e-bow slide guitar; cat scratch guitar; fake bass guitar; SG EB0 bass; loops; acoustic percussion; live mix

Bringing the delightful sounds of Outer Spaceways Incorporated to the Pacific Northwest.

Do not take gnomes for granted. Bring protection. For your ears.

[ – from the official bio – ]

Hi, this is a public service announcement on behalf of the Portland band Gemet Gemet. We were recently asked by a promoter for a bio of our band, and realized we didn’t have one. Let’s fix that. It will provide critics with something to cut and paste at will when trying to “describe” the group.

In the tried-and-true tradition of the “love rock” revolution that took place in Olympia during the early ’90s, Gemet Gemet is a two-person band. Maybe it’s really two one-man-bands, doing more with less. But let’s not get ahead of ourselves.

Gene Gemet [ – aka Gene Tangren – ] is a former native of Minneapolis (MN), and a longtime transplant resident and painter, in Portland (OR). Back in the Midwest, Gene’s oeuvre included stints with India, Technique Niquee. Gene also co-founded a handful of bands; notably, Vertigo (before all those other Vertigo bands), as well as Silver Salute – both of which released a number of records on the prestigious Amphetamine Reptile label. Moving beyond the parameters of guitar-driven rock, Gene collaborated with childhood pal Mike Nehl, resulting in the experimental / neo-psychedelic soundscape entity known as Grackle, who have released 3 CDs to date on Gene’s own Suspended Dimension Records label, and which can be found on CD Baby.

Jéan Gemét [ – aka J. Free – ] is another escapee from the Minneapolis scene, who also found refuge in Portland – just shortly before the official name change to Portlandia placed it on everyone’s radar, which is purely a coincidence. J.’s first outing as a poet / provocateur came in the guise of The Sacred Version, whose claim to fame was being the first band to grace the stage of the esteemed 7th Street Entry in Mpls, and which resulted in that group also being the first to be banned from the venue. Since those humble beginnings, J. has performed as a spoken word artist and a multi-instrumentalist in a number of largely un-heard of, mostly un-lamented regional bands; including Borrowed Time (before all those other Borrowed Time bands), Hytones, Dancing In The Dark, and Demolition Factor. In recent years, J. has worked with The Summer People, The Pushrods, and Panel Of Experts, among others. In Portland, J. also collaborates with Grackle, and performs solo under the nom de plume Somebody’s Got An Axe To Grind.

Gene and J. found each other in Portland quite unexpectedly, having first met in Mpls almost thirty years earlier, where they shared bandmates, concert bills, and at one point, J. was employed by the agency which booked shows for Gene’s band Vertigo. When re-united in Portland, they performed together at the Portland Art Museum, billed as The Avant Guards, playing an almost impromptu set which consisted of covers by Syd Barrett, psych-era Pink Floyd, and songs from their own former bands. Subsequently, they began recording together as an extended version of Grackle, before making the decision to form their own band. Like most bands just starting out, they decided to “jam” on some of the classic hits from their youth – in this case, that meant Can, early Pink Floyd, and of course, Sun Ra.

But what does it mean?

A visitation by a pair of gnomes provided the surname “Gemet”, although it could also refer to:

  • a land measure unit
  • a binding machine
  • the Coptic Church (the oldest church in the world)
  • geo-metallurgical technical specialists
  • a General Multilingual Environmental Thesaurus
  • a gem or vein
  • a groan, moan, whine, creak, or coo
  • a 12th-century Normandy family (possibly gnomes?)

Is it merely a coincidence that any or all of these references might be found in the music of Gemet Gemet?

We think not.

smell
Gemet + Gemet, original painting ©Gene Tangren

Gemet Gemet can be found in all of the usual and unusual places that most kids like to hang out in these modern times:

Soundcloud Bandcamp


VIDEO:
Gemet Gemet

presents: My Heart Is A Beast
Milepost 5; Portland, Oregon
4 October 2013

Gemet Gemet: The “Butterfly” E.P.
live set rehearsal sessions

Gemet Gemet: The “Rats” E.P.
live set rehearsal sessions

Gemet Gemet: “bonus” web tracks:

Gemet Gemet: Limited Edition “Live At Tonic” cassette mini-album
available on bandcamp

Words & music © Gemet Gemet

except:
Butterfly – © Can; 1968; Spoon Records
Set The Controls For The Heart Of The Sun – © Pink Floyd; 1967; EMI/Columbia Records
Rats – © Syd Barrett; 1970; Harvest Records
Space Is The Place – © Sun Ra; 1973; Blue Thumb Records
Two Lives – © Vertigo; 1988; Skidmark Records

vocals:
Gene [Set The Controls For The Heart Of The Sun; Rats; Two Lives
(backing vocals on Butterfly; Space Is The Place)]
J. [Butterfly; Space Is The Place]

all tracks recorded in The Living Room; Portland OR; 2012-2013

some post-mix adjustments involved; no other enhancements or production techniques applied